Other titles: Kelly el ametralladora | Das Raubtier | Revolver-Kelly | Dominados Pelo Ódio | La ley de las armas | Verinen viikonloppu | Mitraillette Kelly | O gangster me to mystiriodes aftomato | Ο γκάνγκστερ με το μυστηριώδες αυτόματο | La legge del mitra | 機関銃ケリー | Kelly Mitralieră | Пулеметчик Келли | Machine Gun Kelly
Year Released: 1958
Month released: January
Certification: Argentina:Atp, Australia:M, Finland:K-16, France:Tous publics, Iceland:16, Italy:VM16, Japan:G, Netherlands:12, Norway:16, Norway:9, Sweden:15, United Kingdom:12, United Kingdom:A, United Kingdom:PG, United States:Approved, United States:Unrated, West Germany:18
Directors: Roger Corman
Writers: R. Wright Campbell
Cast: Barboura Morris, Charles Bronson, Connie Gilchrist, Dwight Brooks, Frank DeKova, Gene Corman, George Archambeault, Jack Lambert, Jay Sayer, Larry Thor, Lori Martin, Michael Fox, Mitzi McCall, Morey Amsterdam, Richard Devon, Robert Griffin, Shirley Falls, Susan Cabot, Ted Thorpe, Wally Campo
Additional Crew: Bill Martin
Art Department: Karl Brainard
Certification: Argentina:Atp, Australia:M, Finland:K-16, France:Tous publics, Iceland:16, Italy:VM16, Japan:G, Netherlands:12, Norway:16, Norway:9, Sweden:15, United Kingdom:12, United Kingdom:A, United Kingdom:PG, United States:Approved, United States:Unrated, West Germany:18
Cinematographers: Floyd Crosby
Colorization: Black and White
Costume department: Marjorie Corso
Country: United States
Distributors: America-International Television (AIP-TV), American International Pictures (AIP), Anglo-Amalgamated Film Distributors, Astral Films, Direct Video Distribution, Explosive-Media, Film Contact Organization, Intergroove Media, International Film, Malibu Pictures, Neue Filmverleih, RCA/Columbia Pictures Home Video, Screen Entertainment, Shout! Factory TV, Stellor Films, Syncron Film, Tubi TV, Umbrella Entertainment, WVG Medien
Editors: Ronald Sinclair
Languages: English
Makeup Department: David Newell
Production Managers: Maurice Vaccarino
Set Decorators: Harry Reif
Sound Department: Philip Mitchell
